My artwork is concerned with qualities of space, light and pattern and how, together, they stimulate experiences of infinity and transcendence. With multiple techniques and materials, I employ elements of the landscape and its underlying micro and macro configurations in random arrangements with many transparent layers of oils, acrylics and epoxy resin. I contrast these fluid and atmospheric effects with hard, opaque substances such as concrete, wood putty and metal. It is my intention that these combinations provide an opportunity to renew the mystery and awe of discovery.
The following essay was written for my exhibition at the Morris Graves Museum, 2014
Disconnecting the Dots
. . . rearranging patterns of perception
As the complexity and fragility of the planet is exposed, so my wonder at the mystery of our world increases and inspires my art, particularly new discoveries concerning the quantum and macro universes that pervade the landscape of our existence.
We have often heard the phrase, “connecting the dots”, which refers to making sense of various bits of information. As we understand that matter is not as solid as was once thought, we can imagine that all concepts and structures that we have relied on over the ages are fluid and alterable – thus the name of my exhibit, Disconnecting the Dots. Through this body of artwork I explore the idea of breaking apart established, rigid patterns of belief that no longer serve us and shape the way we see ourselves. What if there are other patterns we can discover or create that are more beautiful and restorative?
About the Work
Why dots? Dots are basic markings, building blocks. While we often think of dots as circular in nature, they don’t have to be. Dots can be points of light, arrangements of stars, bits of information that can be constructed into representations. Dots anchor themselves in space and provide a reference point relative to others. Dots are points of focused attention.
Arrangements of dots into elaborate configurations enable a gestalt to be formed, a perception where the combination of elements is more than the sum of the parts. We form gestalts to integrate and make sense of what we consider to be excessive stimuli.
As soon as we are born, this ability to create fictitious concepts is used in our acculturation process. We are taught to substitute symbols and words for our three-dimensional, sensory reality. We create mythologies to explain our existence and to rationalize our actions. It appears that we cannot exist without beliefs, nor can we survive without the creative flexibility to change these beliefs as we grow in awareness. We connect and disconnect the dots as needed.
As an artist I am always revising my own personal theory of everything. I reference many things including textures of deteriorating structures, aerial and horizon based patterns of the landscape, macro and micro patterns, historical and contemporary art, and whatever philosophy or scientific theory I can grasp or makes the most sense to me at the moment.